Here’s some other photo that pointedly subverts usual international warfare ii pieties. John frankenheimer’s 1964 motion film pits nazi col. Franz von waldheim (paul scofield) towards french resistance fighter paul labiche (burt lancaster) because the latter attempts to thwart the previous’s efforts to sneak into germany a group of artwork stolen from a french artwork museum. However key to the teach’s provocative spin on simplistic proper-versus-evil binaries is the way it characterizes each these characters.
Von waldheim can be on the incorrect facet of history, but he’s an aesthete who definitely cares for the art he’s bringing back to this domestic u . S . A .. Labiche, then again, is a classic taciturn brute who cares more approximately revenge than approximately the artwork that he’s ostensibly rescuing, and by using extension the splendor they represent amid a international long past mad. The splendor of frankenheimer’s film is that it manages to sneak in such humanistic undercurrents inside the confines of an electrifying movement thriller, all of the way to a very last disagreement that leaves a bitter aftertaste at the same time as the “proper” birthday party emerges triumphant.