That idea is stiob, which i’ll crudely define as a form of parody requiring this kind of degree of over-identification with the situation being parodied that it will become impossible to tell wherein the affection for that concern ends and the parody starts offevolved. And so there, in 32 phrases, is the hollywood cinema of paul verhoeven. Starship soldiers then has to be a bad movie, insofar as that means that the performing isn't always dramatically convincing, the tale is hopelessly contrived
The special effects are distractingly garish in their limb-ripping and bone-crunching, because the factor isn’t to do higher than hollywood (that could run counter to verhoeven’s apparent love of these reasonably-priced popular paperwork), but to do more of hollywood, to push each element to its breaking point with out caving to the lazy lure of ridicule. The end result is a fashion that embraces a form as completely as feasible handiest to turn it back towards the content material, and one of the greatest of all anti-imperialist movies.