Launching author-director Hamaguchi Ryusuke onto the sector level, this gentle home opus eases into the lives of four middle-elderly women in Kobe, Japan, criss-crossing their daily trivialities right into a rich mosaic that stretches out just like the kind of aspect that Mikio Naruse could make if he were alive within the endless age of virtual video.
The film is absorbing from the instant it starts offevolved, as Hamaguchi’s first rate solid of actresses forge a palpable bond that right away convinces you of their 25-year records. these characters are all running through their very own stuff (one is searching for a divorce, another is suffering to accommodate her mother-in-law, and so on), but they’re working via it in the equal way we all do: Quietly, as though looking to put on a display at the same time as keeping most of themselves hidden in the back of a curtain. Ambling from one great setpiece to some other, “satisfied Hour” offers us the time to suss out the distinction between feeling and expression. through the cease of it, even the most fleeting and ordinary moments appear to comprise whole worlds.